Category Archives: Warblers

Photographing Black Throated Green Warblers and Understanding the “Blinkies”

Photo of Black Throated Green Warbler
Black Throated Green Warbler
Not Much of a Black Throat- Possibly a Female.
A More Balanced Light in the Background.
ISO1600; f/4.5; 1/640 Second

Overpowering Background Light

I photographed this Black Throated Green Warbler in late afternoon on a bright day when the bird was perched high in the Serviceberry tree. My lens was pointing up, and I could see the bright patchy sky in the background was confusing the sensor. (See photo below.) The highlight alerts confirmed that these backlights were overexposing the images, rendering certain areas with little or no detail. These colorful warblers don’t come around that often, so I had to quickly adjust exposure to let in less light— but not to the point where the bird registered as too dark. I also had time to switch the metering mode from Evaluative to Partial Metering, which helped the sensor better read the important areas of the image.

Photo of Black Throated Green Warbler
Black Throated Green Warbler.
Exposure Adjusted While Shooting and in Post
Processing to Offset Bright Background.
ISO2500; f/5; 1/500 Second.

Highlight Alerts

A Highlight Alert is basically a quick check of overly bright areas (overexposure) on the image. If you have turned on this option on your DSLR, you will see blinking alerts on your review screen after you’ve taken the photo. If the alert is not in an obvious or important portion of the image, the patch of overexposure does not matter. Ignore the blink and stick with the initial exposure readings. If the blinkies cover large areas of the photo, it’s probably best to quickly adjust your exposure settings. If there’s time and opportunity, move to a different location and reshoot.

As happens so often in bird photography, you may be in a situation where you have no choice but to move quickly and precisely and consequently, you have no time or opportunity to check highlights and reshoot. After all, ignoring the highlight alerts may not be a problem, assuming you shoot in RAW and make exposure adjustments in post processing.

Photo of Black Throated Green Warbler
Black Throated Green Warbler.
He Hopped down to a Lower Branch, so I was
able to tilt my lens away from the bright background.
ISO2500; f/5; 1/500 Second.

The Thrill Can Be Distracting

The more time I spend behind the camera, the more adept I am at recognizing when harsh background light will cause a problem with the sensor correctly gauging exposure. Nevertheless, I keep the highlight alerts on my camera turned on because the excitement of photographing a new bird can distract me to the point where I’m not paying attention to conditions that can mess up exposure readings.

The best way to check overall exposure while in the field is by checking and correctly reading the histogram. See this post for more information.

 

Black Throated Green Warbler
Black Throated Green Warbler
With Flash.  Photographed in Fall, 2018 
ISO400; f/7.1; 1/200 Second

 

Photographing Magnolia Warblers and Thoughts About Camouflaging Your Telephoto Lens

Camouflage the Camera and Lens

Lately I have been researching online, trying to learn more about the art of stealth. I wish to camouflage my lenses with water resistant neoprene, similar to the stuff that wraps my bird blind and lens pouches.

Photo of Magnolia Warbler
Magnolia Warbler
Cautiously Taking a Look at the
Photographer and Camera.
ISO800; f/4.5; 1/400 Second

For the longest time, I convinced myself that I did not need to cover these bright white Canon telephoto monsters- that the birds just ignored them and did not need to feel more comfortable to perch a little closer. That’s just not the case.

Why Blend?

In bird photography, you must avail yourself to every advantage to keep the birds coming in close to the camera. Over the years, more and more migrating birds have been stopping off in our yard to rest and replenish. I have posted dozens of photos of these transients on my website and my flickr albums. I’m betting that if I make an effort to camouflage my equipment, more birds will come.

Photo of Magnolia Warbler
Magnolia Warbler
ISO1250; f/5; 1/500 Second

Options To Better Blend

First of all, why doesn’t Canon offer a painted-on camouflage lens option when they sell their professional photography equipment?  It’s true that third party vendors do market simple, pre-made lens wraps (for ridiculously big bucks) specifically designed for each brand and size of telephoto lens.  I just can’t bring myself to pay $100+ dollars for that stuff.

Since Canon will not step up, here are a few options for a photographer and her equipment to blend better into the birds’ natural environment:

  • Break the bank and buy a pre-made, form fitting, no adhesive, sleeve like and waterproof Neoprene lens covers. Lenscoat.com has options to protectively cover all your camera equipment (for $100+). Their website looks like a good place to start.
  • Conceal everything by throwing a green/brown cotton scrim net (with military pattern) over yourself, the camera and long lens. (Sort of like Harry Potter’s Cloak of Invisibility.) Lots of different sizes are available. The 42″ by 78″ costs $12.00 and is available at Amazon. This netting covers head to toe and is the most likely solution to conceal movement of the camera and photographer.
  • Make your own. One particularly ingenious photographer has designed his own home made, cloth camouflage jackets for his lenses. He has shared step-by-step directions at his website at this link.
  • Investigate Camouflage Gaffers Tape: 2 in. x 60 ft. in woodland forest green for $20 at Amazon. This will adhere vigorously to any lens. The manufacturer claims that Gaffers tape will leave no sticky residue when removed.

Working on The Art of Stealth

Billions of diverse species of birds migrate in the Spring and Fall, and we are very close to a major migration corridor along the shores of Lake Michigan. I am convinced that there are many more bird species near our yard that I can not see, birds that are not so approachable; birds who can no doubt see me with their keen eyesight and observation skills and consequently steer clear of the camera. To be a more effective photographer, I’ve got to do more to hide myself and the camera.

To read more about photographing Magnolia Warblers using manual focus, visit this blog posting.

To view the migrating birds that came through our yard last year, visit this post and this post.

 

 

Photo of Bay Breasted Warbler

Photographing a Bay Breasted Warbler and Playing with Exposure

Tracking Warbler-ish Activity with the Camera

I can now quickly recognize warbler-like activity; the in and out pecking and skittering movement of something tiny and yellowish, ever so slightly dipping the branches of trees, ferns and bushes. I have to admit that I can recognize and name only a few warblers on sight. To my eye, the differences between most warbler species are subtle, especially when they are not in full Spring plumage.

I enjoy the luxury of experts, time, and my trusty camera and long telephoto lens. Warblers come and go so fast during migration, that I’ve come to rely on my camera to capture and preserve the “warblish” details that the experts find so revealing and I find so elusive.

Photo of Bay Breasted Warbler
Bay Breasted Warbler, Checking Out the
Long lens
Pointing at Him.
ISO1600; f/4; 1/400 Second

Photographing the Bay Breasted Warbler

I was able to ID this female (or juvenile) Bay Breasted Warbler only after uploading a photo and consulting with the birding experts at WhatBird.com. The male Bay Breasted is unmistakable in the Spring with his black mask, dark gray streaking, and bright chestnut chin, head, breast and flanks. The males lose much of that colorful distinction and blend in appearance with other warblers sporting two white bars on the wings. The birders say that the black legs set Bay Breasted Warblers apart from the Blackpoll Warbler.

Photo of Bay Breasted Warbler
Bay Breasted Warbler. Notice the Black
Legs and Feet.
ISO1600; f/4; 1/500 Second

Playing with Exposure

As you can see by the ISO readings on the photos above, I continue to photograph migrating warblers in my heavily shaded yard when the rains and hunger drive them down to the trees.  Lately, I’ve been lucky because the birds have been perching on the serviceberries, low lying ferns, grasses and other less dense foliage outside my window. Even though the light is still dim on this greenery, the ISO gets a boost because those areas are more evenly lit.

Limit the Cap on Auto-ISO

I shoot in RAW almost exclusively, with the camera set to “M”, the manual setting. I set the shutter as low as I dare and open the aperture to get as much light as possible. The ISO is almost always set to “Auto”, and the ISO auto range is capped at 6400. (NOTE:  If the ISO is capped at 6400, and the light is still inadequate for proper exposure with the manually set aperture and shutter speed, the shutter will still fire, and deliver an underexposed image.) Despite the very good full-size sensor in the Canon 5D Mark III, the noise is objectionably high on ISO settings above 6400, no matter how close I am to my subject. On dreary days, I miss a lot of shots with this ISO cap. Sadly, exposure choices are limited with low (natural) light photography.

Raw Format

RAW format takes more time, more patience and so much more hard drive space, but I find it worthwhile for bird photography. When the camera is set to RAW, images are not processed in the camera. Once you import them into the post processing software, you see exactly what the sensor captured.

It’s not hard to screw up exposure settings when a fabulous bird appears unexpectedly in front of the camera. Despite all my time in the field, excitement can still cause me to I forget to change some setting on the camera. With the camera set to RAW, little screw-ups like that rarely matter.

Histogram Magic

When I first import RAW images into Lightroom, they always look a little dark… a little dull. So, how do you know (technically) how much exposure to add in post processing?  Check the histogram.

For Evenly Lit Images

Sure, you can eyeball it…but eyeballing hundreds of images can make your exposure dial trigger finger a little goofy. The histogram gives you a mechanically superior exposure. It’s simply an information graph mapping dark to light. Ideally, and assuming you have an evenly lit scene, you will see a bell curve. The best way to adjust correct exposure in post processing is to add exposure until the bell curve on the histogram peaks at the center of the chart.

Creative Choices

Having a technically well exposed image is not necessarily the goal in post processing. Go with your heart…. you may find that the image is more pleasing overall when you intentionally under or over expose your images.

One of these days, I will take the time to experiment more in post processing.  I usually go with the natural look, but I do find appeal in skewing the light, the grain, the focus. It starts out by playing with the other color and filter presets that come with Lightroom.

To read more about RAW format, visit this link.

To read more about the Histogram, visit this link.

Photo of Black and White Warbler Bathing

Photographing A Black and White Warbler Bathing

Low Light Bird Photography

Sometimes a bird photographer has no choice but to make the most of shooting in low light, rainy conditions. If you’re lucky, soft backlit raindrops can tickle the leaves just enough to make them shimmer and glow appealingly and cast dreamy light onto your subject. Sadly, this day had no such light.

Haze and moderately heavy rain dominated the scene when I noticed this Black and White Warbler perched in the Serviceberry tree right next to my library window. (So happy to have a roof over my head.)  My camera was set up and ready to go, just a little further back than usual to avoid the splash of the water cascading off the roof.

Photo of Black and White Warbler
Black and White Warbler,
Bathing and Drinking in the Rain.
ISO4000; f/4; 1/400 Second

Photographing Bathing Warblers

The Serviceberry offered this little warbler some protection from the rain, but its small leaves were not as densely packed as some of the more protective evergreens and redbuds near the library. The heavily packed leaves would have blocked more light – taking the already soaring ISO levels unacceptably higher. NOTE: In these photos, the falling raindrops are barely visible because of the slower shutter speed and lack of backlighting.

By the looks of this Black and White Warbler, he found the perfect breezy perch on which to bathe his boldly striped black and white feathers. He seemed invigorated, even joyful, despite the lack of privacy in his outdoor shower. While splaying his wing feathers and allowing the warm rain to soak the skin, he often opened his mouth for a drink.

I often see birds preening, but not bathing. A good soaking no doubt washes away the dirt and other particles that can’t be cleaned with the bird’s beak. The transients that visit our yard appear to enjoy a short drenching rain over the bird bath. This little one looks like he is singing in the rain, though there were no vocalizations.

Photo of Black and White Warbler
Black and White Warbler
Tussling His Feathers for
Optimal Coverage.
ISO5000; f/4; 1/400 Second

September’s Fall Bird Migration Traffic

Migration traffic in our yard has been slow (compared with last year). Looking back on my Fall, 2014 Flickr album, (Fall 2014 Flickr) a lot of the vireos, kinglets, thrushes and warblers arrived last year in late August. It’s still early though, and I’m hopeful that some newbies (birds I haven’t photographed before) will stop to rest and replenish in our yard. According to the migrating maps and charts put out by e-Bird, September is a big month. Almost every species of migrating birds are on the move–globally.

I haven’t seen this little Black and White Warbler since I photographed him. No doubt he’s on the wing again, continuing on his long and perilous journey south. Most of the avian transients are fair weather, nighttime flyers. My photos from last Fall confirm that when winds and rains come, the migrating birds descend, and I’m more likely to see and photograph some new visitors. I welcome the opportunity, and will photograph them in any usable light, despite high ISOs.

To read about the migrating birds who visited our yard last Fall, press this link and this link.

 

 

 

 

 

Photo of Oven Bird Warbler

Photographing an Oven Bird Warbler in the Brambly Wood

Photographing an Oven Bird

Deep within the dense brambly Allegan forest, I found an enclave of warbler species that could scarcely be seen dodging in and out of the foliage. In this rich space, I saw flashes of blue winged warblers, yellow rumped warblers, yellow warblers and chestnut-sided warblers identifiable (just barely) through my dark, noisy and blurry photos.

Photo of Oven Bird Warbler
Oven Bird Warbler, Finally Showing Himself (mostly).
ISO1600; f/8; 1/1250 Second

ID Photos

As it is with most of my surprise bird encounters, my 500 mm lens with 1.4 extender was resting on the car door. The tall grasses in front of the dense brush were a hindrance to locking down focus. I took as many shots as the lens would allow, mainly trying to get a closer, identifiable look at what was hiding in there.

Thankfully, one brave warbler was curious enough to come out into the open long enough for me to get off a burst. The Oven Bird Warbler.

A Ground Foraging Warbler

A stocky warbler with dark streaking spots on its breast, the Oven Bird looks and acts more like the larger Swainson’s Thrush. Its wing and back feathers are a dull brown-olive color. A reddish brown crown bordered by two stripes sits on his head.

This warbler gets its name from the domed shaped (oven-like) nest it builds amongst the decaying leaves, moss, and grasses near roots and fallen trees. Like all warblers, (and some bird photographers) the Oven Bird abandons Michigan for warmer winter climates.

Achieving Focus Lock

A major challenge on this shoot was locking down focus. I had the focus limiter switch on my Canon 500mm 4.0L II IS USM telephoto lens set for the longest available focusing distance. Consequently, the lens took way too much time hunting back and forth from “4.5 m to infinity”.  I quickly changed the switch on the lens barrel to the “10m to infinity” setting. The hunt time was reduced substantially because the lens no longer tried to focus on the tall grasses closest to the camera.

Photo of Oven Bird Warbler
Oven Bird Warbler
Looking Vulnerable and New; Perhaps a Juvenile.
ISO2000; f/8; 1/1250 Second

Revisit this Enclave with Video

As much as I love photographing warblers, it’s hard to get photos with beautiful creamy backgrounds because of all that brambly wilderness in the spaces they call home. Since the warblers are mostly uncooperative about posing on perches in prime locations, I’ve considered mixing things up next time by turning on the little used video component on my fancy cameras.

Turning on the video component on both of my cameras (Canon 5D MarkIII and Canon 7D Mark II) is easily done with a flip of the switch. But sadly, a camera resting on the window of the car door is not a steady enough mount to engage video. Shaky videos just make me nauseous.  To do it right means waiting for a windless day and setting up the camera and lens on my most sturdy tripod.  Shutting off the audio component is a must because 1) the little mic on the camera is substandard, making audio an irritating distraction and 2) the bird will likely not vocalize much this time of year.

So, my mission in the next few weeks is to research how best to video birds and then make a good video of the the migrating warblers who stop to rest and replenish in our yard.

I’ve got a lot of research to do.

Read this post to learn more about locking down focus.

Read this post about photographing the Swainson’s Thrush.

 

Photo of Blue Winged Warbler

Photographing Blue Winged Warblers

Searching for Blue Winged Warblers

Photo of Blue Winged Warbler
Blue Winged Warbler, After
Preening. Looking
Shiny, Foofy, and New.
ISO1000; f/8; 1/1000 Second

Both the male and female Blue Winged Warblers are tiny, brightly colored balls of energy, tempered only by their quiet and bashful natures. Since the summer began, I have made a point to drive to a mostly deserted country road in the Allegan Forest next to a cluster of dense, brambly foliage at the forest edge. There, I watch and wait for a nesting pair of Blue Winged Warblers to appear. I know they’re in there because I have photographed many a blurry snapshot of their distinctive eyes as they stare at me from the thick brush. Those eye markings are hard to mistake. Looks like someone took a dark eyeliner and drew a heavy black line from the outside corner of one brown eye, past the pointy beak and through the other brown eye. Quite a striking attribute when drawn atop a bright yellow face.

How Long Should A Photographer Wait?

I pull off the road at the opening of a small 3′ x 3′ passage into the brush. There within, I can see a little secluded space, amply lit by the morning sun, where the warblers just might leave the comfort of their nesting area to perch on dead and peeling branches. (It would be so exciting if there are Blue Winged fledglings about.) My eyes are weary from raking the foliage, looking for the ever-so-slight warbler movement (like softly falling raindrops) on the interior branches. I wait….. how long should a photographer wait?  It’s 7:30 a.m. and I make a pact to leave by 8:00am- if I don’t see any action.

It’s past 8:00 am and I’m still waiting; still hoping. The light continues to softly illuminate the perch on which the lens in trained. I think I see second hand movement- reverburation from the forest floor. Blue Winged Warblers commonly build nests on or near the ground, but so do many other forest dwellers.  It’s impossible to know because I can not see through the low lying brush. My lens is resting on the storage bin that I keep in the passenger’s front seat. No need to worry about twisting and contouring my body to maneuver the lens..my only focusing option is to follow the light through this small and under-grown portal.

I see a flash of yellow. The male Blue Winged Warbler is bustling about, within partial view. Tentative and watchful, he knows I’m there and looks me over with those eye-lined eyes. Somehow, I pass inspection because he hops onto the peeling branch right in front of the lens and begins preening. He’s so tiny, and a good 20 feet away. I will have to do some cropping- but other than that I’ve got a perfect shot.

Photo of Blue Winged Warbler, Preening
Blue Winged Warbler,
Taking Pains to Groom His Feathers.
ISO1600; f/8; 1/1000 Second

Healthy Feather Grooming

Birds groom themselves multiple times a day. Good feather maintenance is essential to survival. The preen gland (uropygial gland- located at the base of the tail feathers) supplies the secretions needed to keep their feathers in optimal flying condition. Birds rub their bills and heads with these secretions and then methodically slather this mixture all over their feathers and feet, picking out unwanted dust, dirt and parasites with their beaks. (No doubt somewhere in the parasitic mix, are beneficial organisms essential to healthy feather grooming.)

Before flying off, this Blue Winged Warbler takes a few minutes to show off his freshly groomed plumage. His feathers look like they were professionally washed, blow-dried and styled. And then he is gone.

Warbler Waiting

More times than not, I find myself waiting for birds long past the time I pre-set in my mind to move on, and coming back home with nothing. For warbler waiting, all it takes to keep me on task at one location is a slight foraging movement. It’s not an efficient use of my time, but my self imposed deadlines fly by and I enjoy the sights and sounds that come with a glorious day in the woods. This time, I have beautiful Blue Winged Warbler photos to show for my patience.

To read more about photographing preening birds, please visit this post.

Photo of Young Yellow Warbler

Photographing Birds That Have Flown the Nest – Part II

A Most Dangerous Time for Birds

The birds in our Certified Wildlife Habitat® are mostly “Temperate Altricial Birds”. They are helpless, naked, and dependent after hatching…..not unlike human newborns. When these fledglings finally do leave the nest, they stay hidden in the brush as best they can, peck at an insect once in a while, remain motionless when threatened, and depend on the parent to stuff food in their faces. Soon enough, the parents have to stop feeding them in order to direct resources to the new nestlings or to migration readiness. The fledglings must then survive on their own.

Photo of Young Yellow Warbler
Fledging Yellow Warbler,
looking very new.
ISO800; f/8; 1/1000 Second

NOTE: Altricial means requiring nourishment. Altricial birds are very different than “precocial” baby chicks; those who hatch from their protein rich eggs in a more developed fledgling state. Precocial baby chicks are mobile almost immediately, feed on their own and are not waited on in the nest. Quite a different set of responsibilities for the parents.

Photo of Fledging Dickcissel
Fledging Dickcissel, looking rather
vulnerable and watching for a parent.
This Little Bird is Perched Out in the Open,
Making Him an Easy Target for Predators.
ISO1250; f/11; 1/1000 Second
Photo of Parent and Young Yellow Warbling
Yellow Warblers, Parent and
Fledging. Sometimes the Only Way to ID a Young Fledging
is to get lucky and photograph it with a parent.
ISO1600; f/8; 1/1000 second

Achieving Self Sufficiency

Fledglings face what is probably the most dangerous part of their lives. They are too big to remain inconspicuous in the nest. Their survival depends on the number of predators nearby, the weather, rate of growth and overall strength, and how competent they are at learning to forage for food and hide from danger.

It’s fascinating to watch and photograph these young birds as they beg for food and work to strengthen their flight feathers. Some of these photos show chicks that look extremely vulnerable, while others show fledglings that are clearly on their way to self sufficiency.

Young birds have to mature fast.  Migration is just around the corner.

Photo of Common Yellowthroat
Juvenile Common Yellowthroat
Warbler.
ISO1000; f/8; 1/1250 Second
Photo of Fledging Female American Redstart Warbler
Fledging Female American Redstart.
ISO2500; f/8; 1/1250 Second

Young Birds are So Cute and Fluffy, But…..

For the birds’ safety, it’s prudent to keep your distance when photographing young birds. I do not search out or photograph birds still in the nest. When photographing birds that have flown the nest, I generally use my longest lens and stay hidden in my car or behind a blind. Young birds are rarely alone, and I don’t want to frighten them or their caretakers away.

As you can see from the photos, I found most of these fledglings hidden within dense foliage. I stayed in my car, rested the camera on the door window and maneuvered my long lens as best I could to get past the greenery and lock focus on the birds.

The Experts at Whatbird.com

It may be easy (and amusing) to recognize that a bird is young by its looks and behavior, but it is often difficult for me to identify the species of a young fledgling, especially if it’s a warbler. Young birds can look very different than the adults of the species. It helps if I look around to see if I can spot a caregiver and protector- and then photograph and ID that bird. I upload the photos to WhatBird.com for definitive ID before posting.

An excellent article on Fledging survival can be found at this link.

 

Photographing Yellow Warblers in Spring

Photographing Bright Yellow Warblers

Tiny brilliant yellow balls flash across my path….so bright and exquisitely delicate.

Photo of Yellow Warbler
Showing off his Spring Finery.
Closeup of Male Yellow Warbler
ISO500; f/8; 1/2000 Second

Photographing Yellow Warblers

Yellow Warblers are one of the most numerous and widespread warbler species, and very common in Michigan in the summer. Male and female Yellow Warblers have solid yellow faces, black eyes, and thin pointy beaks. The adult males have a brighter yellow head and pronounced chestnut streaking on their breasts and bellies. Like most wood warblers, they are difficult to photograph because they spend most of their time weaving in and out of dense foliage, eating caterpillars and other insects.

Camera Setup Options

I often spend time with my camera on my lap, just watching and waiting to see what birds are lurking in the shadows of dense foliage. It didn’t take long before I was able to discern two yellow bursts of light in a dense growth of shrubs near a stream. I parked my car on the road and proceeded to set up my camera, 500 mm lens and tripod approximately 15 feet from these woods. I chose a spot where there were some attractive, open perches. I could see the pair of Yellow Warblers foraging in the thickets, but when I tried for a shot, the lens searched back and forth -utterly confused with the tangle of overlapping branches and leaves.

Photo of Female Yellow Warbler
Female Yellow Warbler.
Her Colors are Not Quite as Bright and
She has less Pronounced Stripes on her Breast
ISO800; f/8; 1/2500 Second.

The Trusty Car Door as My Tripod

Both the male and female Yellow Warblers are highly territorial and will perch out in the open to investigate any sign of other Yellow Warblers intruding into their space. To entice this pair to perch in a less congested area, I set up the blue tooth speaker under several isolated branches.

No luck. The warblers were watching, but stayed hidden in the brush. Clearly, I was too much of a presence for them to feel comfortable. Leaving the speaker in place, I disengaged the tripod from the camera, put everything back in the car and then moved the car to the same spot where I had set up the tripod. I sat in the car and rested my camera and lens on the car door window.

Like many birds in this modern age, the warblers were highly acclimated to the presence of vehicles. With multiple fly-bys and aggressive sounding chirping, they rushed in to investigate the source of the song. It took less than 2 minutes for them to figure out that there was no foreign invader and retreat back to the foliage, but it was long enough to capture 25+ photos.

Photo of Yellow Warbler
Yellow Warbler, right before Take Off.
ISO 1000; f/8; 1/2000 Second
Photo of Yellow Warbler
Yellow Warbler in Flight.
Wingspread slightly obstructed by Leaves.
ISO1000; f/8; 1/2500 Second

Yellow Warbler Nesting Habits

NOTE: A tribute to the diligence of the tiny female Yellow Warbler (2nd photo above). She is not often fooled when her nest is parasitized by Brown-headed Cowbirds. She may abandon the nest- or she may start a new brood by building a new nest layer on top of the parasitized nest-(even if it means burying her own eggs). These diligent female Yellow Warblers will keep building if the problem persists to as high as 6 tiers.

To read a blog post about Yellow Warbler Identification, visit this link.

To read about the pros and cons of setting up shots in the wild, visit this blog post.

Photo of Female American Redstart Warbler

Photographing A Curious American Redstart Warbler

A Curious Female American Redstart

A female American Redstart Warbler nesting nearby often leaves the woodlands to forage in the trees around our library. Usually, she flits and flutters, constantly on the move, staying hidden behind the leaves as she hunts for insects. Once in a while she will momentarily light on a delicate bleeding heart plant, making for a beautiful photo if I am lucky enough to be behind the lens at that time. I enjoy watching her. Female Redstart Warblers are mostly a pale gray, with olive green wings and flashes of yellow and orange on her shoulders and tail feathers. The colors are especially beautiful when she fans her tail.

This particular Redstart appears to be very curious about the cameras, long lenses and me. Once in a while, she stops her foraging activity, perches close by, and just watches me.

Photo of Female American Redstart Warbler
Female American Redstart Warbler
Resting on a perch close to the Lens.
ISO2500; f/4; 1/500 second.

An Unexpected Visit

My library windows are usually wide open, with two cameras on tripods (one with my 500mm lens and one with my 300mm lens) pointing out to different parts of our garden. Insects of all kinds fly in and out, mostly destined to die on some window sill in another room. I keep a rotating fan blowing toward the windows — hopefully to discourage insects from coming in.

Memorial Day was not a fair weather day, so only one window was open. As I often do, I had left the cameras for a few moments to attend to something in another room. During that short interval, a female American Redstart Warbler flew into the library, through the living room and then made a beeline to another set of windows in the master bedroom.

Of course I can’t be sure that the female Redstart who entered the house through the window near my camera setup is the very same curious Redstart that I see so often in front of my camera. But I’d bet on it.  In the bedroom, she was fluttering back and forth against the window panes. Once in a while, she would rest on the window sill, watch me, and then try again, searching for a way out to the trees she could see, but not get to.

I opened the bedroom window almost immediately – but it took her a little while to find her way out. I grabbed my camera and took a couple shots of her before she left. She graced me with a fan of her tail then flew out and up to a nearby tree. Once she was comfortable, she turned her head back to look at me, then flew off to the woodland. I saw her again later the same day, foraging in her usual places….obviously not too traumatized.

Photo of Female American Warbler
A Curious Female American Redstart
Warbler who Flew into Our House.
ISO 2000; f/3.5; 1/400 second.

Birds and Windows

Window glass is invisible to birds and potentially lethal when they fly in and strike the glass. Birds only see the reflected greenery and skyline and attempt to fly toward it.

Sadly, we hear the sickening thumps of a bird crashing into our windows almost every week. They leave  a splat of dust and feces behind. Most crash victims rest a few minutes after they bounce off the window and then appear to recover. They are able to fly away, although who knows how many of those birds die later of their injuries.

It is estimated that hundreds of millions of birds are killed world wide by flying into glass windows. There are many solutions designed to decrease or block the window reflections if you wish to safeguard birds from crashing into your windows. Visit this link if you would like more information.

Photo of Pine Warbler

Photographing A Pine Warbler Passing Through

‘Tis the Season for Migration

Photo of Pine Warbler
Pine Warbler looking Back at the Camera.
ISO1000; f/6; 1/1000 Second

The mounds of snow and ice are gone, preventing the squirrels from leaping onto the bird feeders (for the most part). Newly formed buds on the trees are small and do not obstruct my camera’s line of view. The windows are washed and cranked open as much as the temperatures will allow. I have hauled up my photographer’s blind from the basement and set it up on the porch overlooking the feeders.

I am waiting and hoping that some new and unusual spring migrating birds will pass through and grace me with an appearance -and (of course) perch in the unobstructed trees closest to our library windows or porch. I had tremendous luck in my own yard last fall, so my expectations are skyhigh that if I sit and wait by my library windows long enough, I will see and photograph some new birds. (See this post about last Fall’s activity.)

Photo of Pine Warbler
Close up of Pine Warbler
ISO 800; f/5.6; 1/1250 Second

Cameras Ready

I watch over two cameras set up on tripods in our library; The 5D Mark III, attached to the 500 mm lens and the 7D Mark II, attached to the 300mm lens. The platform and suet feeders are full, bringing in lots of activity from the usual visitors (Cardinals, House Finches, Chickadees, Titmice, Mourning Doves, Juncos, various Woodpeckers, and  Nuthatches.)  I’m hoping that migrating warblers and other unusual transients will notice heavy bird activity and want to join in for a meal.

Migratory Birds Photographed So Far

So far this Spring, I’ve seen and photographed the following migratory birds: Red winged Blackbirds, Gold Finches, Cowbirds, House Finches, Purple Finches, Pine Siskins, Cedar Waxwings, Eastern and Western Meadowlarks, Ruby Crowned Kinglets, field and song sparrows, unusual sparrows like the Towhee and Vesper Sparrow, and even a Wilson’s Snipe.

By far the most exciting photography challenge this Spring was when a bright and bold male Pine Warbler came down to feast on suet. This warbler species is one of the few that visits feeders. Thinking that this would be my only chance, I photographed almost every single sighting, mostly him clinging to a suet feeder. After a hundred or so shots, I was more calculated, keeping the windows open and watching and waiting for him to land on a natural perch with a pleasing background.

Patience and perseverance most certainly brings success to photographers.

The Pine Warbler stayed little more than a day, and I have several hundred photographs. Still, I keep looking, hoping to see him again.